Raag Gaud Malhar Darshan – Pt. K. G. Ginde

Raag Gaud Malhar Darshan – Pt. K. G. Ginde
राग गौड़ मल्हार दर्शन - पण्डित के. जी. गिंडे
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The Malhar ragas are generally sung in the Rainy season. The word Malhar is associated with torrential rains. The unique phrase that categorises the Malhar family from others is m (m)R (m)R P, this is the Malhar signature phrase.
Gaud Malhar is a combination of Raag Gaud, Raag Shuddh Malhar, and Bilawal. It is a raag that sounds beautiful in the rainy season. Gaud Malhar along with Shuddh Malhar and Megh Malhar are the most ancient types of Malhar known to exist as far back as the 15th century.
This raag consists of the Gaud ang, Bilawal ang and the Malhar ang. Watch the video for a demonstration.
Raag Nat Malhar and Gaud Malhar are samaprakritik raags. Care should be taken to avoid mix-ups.
Mood: romance, longing, uplifting, joyous
Movement of notes: vakra
Pandit K. G. Ginde
Legendary Talent :
Originally from Bailhongal in north Karnataka, Ginde, influenced by his father and elder brothers, became a musician at a young age. He became Ratanjankar’s disciple at 11 and stayed with him in Lucknow, learning vocal music from him and his senior disciple Pandit S.C.R. Bhat. Founded by the legendary Pandit V.N. Bhatkhande, Marris College was treated as a pilgrimage centre, attracting students like Bhat, violinist V.G. Jog, composer Chinmoy Lahiri and sitar maestro-vocalist D.T. Joshi. Kumar Gandharva often visited the campus. Once his skills were adequately developed, Ginde began performing for the radio and in music festivals, eventually moving to Mumbai.
Later, Ginde cut down on performances to concentrate on teaching and research. It is said that he could produce 2,000 compositions from memory. He is being called the walkie-talkie version of entire Hindustani Sangeet Paddhati evolved by Pandit V.N.Bhatkhane and his worthy disciple Padmabhushan Acharya S.N.Ratanjaker.
Pandit K.G.Ginde was also instrumental in developing profound awareness in understanding the Hindustani Ragadari Sangeet critically through his series of Lecture Demonstrations on various practical aspects for the benefit of future generation of musicians and music lovers. Being a traditionalist he believed in the purity of Ragas.

Awards
Giants International Award
Sharangdev Fellowship Award in 1990
Maharashta Gaurav Puraskar
Sangeet Natak Akademy Award