49. LET'S GET REAL: ARTISTS AND WORK ETHIC; LEFT HAND MOVING ON THE FINGERBOARD IN VOICE?

0:00 ARTISTS AND WORK ETHIC 29:22 LEFT HAND MOVING ON THE FINGERBOARD IN VOICE?

00:00Artists, singers, we are often classified as egocentrics and narcissists. Sometimes it is true, in my experience mostly not, still some of us are humans not easy to work with, with some excesses and very pushing on others - : just be honest and recognise that we mess up a bit more or a lot more than not artists. We are good people with a little more to learn on ourselves and our energy.
What it means practically? And especially what it means practically if you are an aspiring artist/singer and you mess up exactly the path bringing you to be it? To me - since it is exactly in this my daily job- can be strategised in 1. you choose a hierarchy of craft and you implement them in baby steps; 2. you choose where you excuse yourself in messing up; 3. you choose that others can maintain their boundaries.

29:22 Larynx we said has the functions of the left hand in violin: but left hand in the violin move on the fingerboard. SO DOES exist a thing of the kind in the larynx or voice production? Yes, let's see what it is.

#biologyofvoice #voice #lungs #airmanagement #stepbysteponvoice #series3 #larynxfunction #larynx #voiceproduction #voiceteacher
#ingredientsofvoice #subglottal #airandsinging #voiceseries #artists #ego #narcissist #activeversuspassive

Lucia Cossu voiceteacher
Italian/French voice teacher for professionals and future pro singers, innovator in vocal technique specialised in training and personalised solutions, voice development and voice preparation for touring/recording, young voices development without forcing the delicate and respectful balance of young talents. She has solved strain/issues and limitations of singers unsolvable by training or medical therapies. Those skills have 15 years of successful career and voice transformations in all styles; hospitals have sent her some desperate cases, all successfully.

Her innovative perspective has been presented 12 times internationally at PEVoC 14 & 15 and The Voice Foundation Symposium 2023 and 2024 - Philadelphia- in Voice pedagogy and Voice science She calls this perspective the (R)Evolution of voice model, or if you prefer cossumethod in the actual practice.

She comes from an international soloist career in classical music that a malpractice during an abdominal surgery has interrupted (the surgeon has been convicted).

Courses and workshops are available online from everywhere and in person can be arranged.