๐—ฝ๐—ฎ๐˜† ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ผ ๐˜†๐—ผ๐˜‚๐—ฟ ๐˜€๐—ผ๐˜‚๐—น - Jewish polyphony ืื•ื“ื” ืœืืœ ืœื‘ื‘ ื—ื•ืงืจ / ืฉื™ืžื• ืœื‘ ืขืœ ื”ื ืฉืžื” ๐— ๐—ฎ๐—ฎ๐˜†๐—ฎ๐—ป ๐—ง๐˜‡๐—ฎ๐—ณ๐—ฟ๐—ถ๐—ฟ

ะžะฟะธัะฐะฝะธะต ะบ ะฒะธะดะตะพ ๐—ฝ๐—ฎ๐˜† ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ผ ๐˜†๐—ผ๐˜‚๐—ฟ ๐˜€๐—ผ๐˜‚๐—น - Jewish polyphony ืื•ื“ื” ืœืืœ ืœื‘ื‘ ื—ื•ืงืจ / ืฉื™ืžื• ืœื‘ ืขืœ ื”ื ืฉืžื” ๐— ๐—ฎ๐—ฎ๐˜†๐—ฎ๐—ป ๐—ง๐˜‡๐—ฎ๐—ณ๐—ฟ๐—ถ๐—ฟ

12 Tส€ษชส™แด‡s Mแดœsษชแด„ โป ส™ส Mแดœsษชแด„ Pแดส€แด› Isส€แด€แด‡สŸ.
Non profit that promotes music and musicians from Israel.
traditional. original. sacred. secular.
https://12tribesmusic.org
email: [email protected]
to listen on Spotify: https://open.spotify.com/album/3SPn3g...

๐—ข๐—ฑ๐—ฒ๐—ต ๐—น๐—ฎ ๐—ฒ๐—น / ๐—ฝ๐—ฎ๐˜† ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ผ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ผ๐˜„๐—ป ๐˜€๐—ผ๐˜‚๐—น
ืื•ื“ื” ืœืืœ / ืฉื™ืžื• ืœื‘ ืขืœ ื”ื ืฉืžื”
I thank God for Inquiring Heart in the Morning Stars Together

๐— ๐—˜๐—”๐—ก๐—œ๐—ก๐—š
The author of the poem inspires man to observe that the soul that animates him is of a higher divine origin, that came down to this world for a specific role. And therefore - one must be careful to "fulfill her needs" befitting her essence, and fulfill her destiny in her descent into the world.
He insists that every night the human soul ascends to the upper world to be judged for its actions on the passing day and therefore the person must pay attention to how it will be revealed - whether as a "disgraceful slave" soiled with iniquities, or as an "adorned bride" adorned with mitzvot.

๐—ช๐—›๐—˜๐—ก ๐—œ๐—ฆ ๐—–๐—จ๐—ฆ๐—ง๐—ข๐— ๐—”๐—ฅ๐—ฌ ๐—ง๐—ข ๐—ฆ๐—œ๐—ก๐—š ๐—ง๐—›๐—˜ ๐—–๐—›๐—”๐—ก๐—ง?
The chant calls for awakening, and accordingly it is sung in some congregations during the midnight tikkun, and sometimes before morning prayer.
it is sung in some Hasidic communities as well as among the Jews of Islamic countries as part of the prayer song

๐—ฃ๐—˜๐—ฅ๐—™๐—ข๐—ฅ๐— ๐—”๐—ก๐—–๐—˜
This powerful chant has been performed and composed by many musicians and artists modern and traditional through the history. it has numerous versions.
This fresh new composition by Maayan Tzafrir is inspired by Turkish Sufi music.
the vocal arrangement is inspired by Balkan polyphonic singing.


๐—ข๐——๐—˜๐—› ๐—Ÿ๐—” ๐—˜๐—Ÿ | ืื•ื“ื” ืœืืœ
Lyrics: ๐—ฅ๐—ฎ๐—ฏ๐—ฏ๐—ถ ๐—ฆ๐—ต๐—บ๐—ฎ'๐˜†๐—ฎ ๐—ž๐—ผ๐˜€๐˜€๐—ผ๐—ป 16th century
Music: ๐— ๐—ฎ๐—ฎ๐˜†๐—ฎ๐—ป ๐—ง๐˜‡๐—ฎ๐—ณ๐—ฟ๐—ถ๐—ฟ
____________

- ๐—ฌ๐—ฒ๐—ฎ๐—ฟ๐—ผ๐˜ ๐—˜๐—ป๐˜€๐—ฒ๐—บ๐—ฏ๐—น๐—ฒ - โ€ช@YearotEnsembleโ€ฌ
lead vocals: ๐— ๐—ฎ๐—ฎ๐˜†๐—ฎ๐—ป ๐—ง๐˜‡๐—ฎ๐—ณ๐—ฟ๐—ถ๐—ฟ โ€ช@Maayantzafrirโ€ฌ
vocals: ๐—”๐˜†๐—ฎ ๐—š๐—ฎ๐˜ƒ๐—ฟ๐—ถ๐—ฒ๐—น
vocals: ๐—˜๐—ฑ๐—ฒ๐—ป ๐—›๐—ฒ๐—ฟ๐—บ๐—ผ๐—ป๐˜†
vocals: ๐—ฌ๐˜‚๐—น๐—ถ ๐—ฆ๐—ต๐—ฎ๐—ณ๐—ฟ๐—ถ๐—ฟ๐—ถ
ney and bagpipes: ๐— ๐—ฒ๐—ถ๐—ฟ๐—ฎ ๐—ฆ๐—ฒ๐—ด๐—ฎ๐—น โ€ช@meirasegalโ€ฌ
frame drum, daf and riq: ๐—ก๐˜‚๐—ฟ ๐—•๐—ฎ๐—ฟ ๐—š๐—ผ๐—ฟ๐—ฒ๐—ป

- ๐—บ๐˜‚๐˜€๐—ถ๐—ฐ ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป -
arrangement: ๐— ๐—ฎ๐—ฎ๐˜†๐—ฎ๐—ป ๐—ง๐˜‡๐—ฎ๐—ณ๐—ฟ๐—ถ๐—ฟ
music production, recording & mix: ๐—ฆ๐—ต๐—น๐—ผ๐—บ๐—ถ ๐— ๐—ผ๐—ฟ
mastering: ๐—ฅ๐—ผ๐—ป๐—ฒ๐—ป ๐—ฅ๐—ผ๐˜๐—ต
Recorded @๐—ฆ๐—ต๐—น๐—ผ๐—บ๐—ถ ๐— ๐—ผ๐—ฟ'๐˜€ ๐˜€๐˜๐˜‚๐—ฑ๐—ถ๐—ผ๐˜€


- ๐˜ƒ๐—ถ๐—ฑ๐—ฒ๐—ผ ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป -
video & editing: ๐—š๐˜‚๐˜† ๐—•๐—ฎ๐—ฟ๐˜๐—ผ๐˜ƒ โ€ช@BartovGuyโ€ฌ
styling: ๐—ง๐˜‡๐—ถ๐—ฝ๐—ผ๐—ฟ๐—ฎ ๐—ฒ๐—น ๐—ฟ๐—ฒ๐—ถ
hair and makeup: ๐—ก๐—ฎ๐˜๐—ฎ๐—น๐—ถ ๐——๐—ฎ๐˜€๐—ต๐˜๐—ถ โ€ช@natalidashtiโ€ฌ
dresses: ๐—ก๐—ฎ๐˜๐—ฎ๐—น๐˜† ๐——๐˜ƒ๐—ถ๐—ฟ designed for "Tarab" show
Jewelry: ๐—Ÿ๐—ถ๐—ฟ๐—ผ๐—ป ๐—Ÿ๐—ผ๐˜ƒ๐—ฒ ๐—๐—ฒ๐˜„๐—ฒ๐—น๐—ฟ๐˜†
filming location: ๐—›๐—ผ๐—ฟ๐˜ƒ๐—ฎ๐˜ ๐— ๐—ฎ๐—ฑ๐—ฟ๐—ฎ๐˜€, ๐—–๐—ผ๐—น๐˜‚๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ถ๐˜‚๐—บ ๐—ฐ๐—ฎ๐˜ƒ๐—ฒ

content editor and 12Tribes music artistic director: ๐—ง๐—ฎ๐—น๐˜†๐—ฎ ๐—š.๐—” ๐—ฆ๐—ผ๐—น๐—ฎ๐—ป
Thank you to ๐— ๐—ฎ๐—พ๐—ฎ๐—บ๐—ฎ๐˜ ๐˜€๐—ฐ๐—ต๐—ผ๐—ผ๐—น ๐—ผ๐—ณ ๐—˜๐—ฎ๐˜€๐˜๐—ฒ๐—ฟ๐—ป ๐—บ๐˜‚๐˜€๐—ถ๐—ฐ for supporting this video release โ€ช@MaqamatMusicSchoolโ€ฌ

๐— ๐—ฎ๐—ฎ๐˜†๐—ฎ๐—ป ๐—ง๐˜‡๐—ฎ๐—ณ๐—ฟ๐—ถ๐—ฟ is a Singer and musician who weaves Balkan and Middle-Eastern musical traditions with her Jewish roots. In her musical creation she combines ancient piyutim (chants) with folklore melodies.
Maayan's original compositions are inspired from Greek, Bulgarian, Georgian and Turkish traditions.
Maayan is the founder and voice leader of ๐—ฌ๐—ฒ๐—ฎ๐—ฟ๐—ผ๐˜ ๐—˜๐—ป๐˜€๐—ฒ๐—บ๐—ฏ๐—น๐—ฒ, singer of the greek band Tavernikos, founder of The Balkan Witches Choir and conductor of various workshops, meetings and tours focusing on Balkan traditional singing with a Hebrew and feminine spirit

Her encounter with the ancient Jewish chant โ€œ๐—ข๐——๐—˜๐—› ๐—Ÿ๐—” ๐—˜๐—Ÿโ€, influenced by her Jewish-Turkish roots, led her to write a composition inspired by Sufi music, intended to evoke an ecstatic connection with the creator. Her vocal composition was inspired by Polyphonic balkan singing, which connects the listeners to ancient tribal vibrations.

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ืื•ื“ื” ืœืืœ
ืžื™ืœื™ื: ืจ' ืฉืžืขื™ื” ืงื•ืกื•ืŸ
ืœื—ืŸ: ืžืขื™ื™ืŸ ืฆืคืจื™ืจ

ืื ืกืžื‘ืœ ื™ืขืจื•ืช
ืฉื™ืจื”: ืžืขื™ื™ืŸ ืฆืคืจื™ืจ, ื™ื•ืœื™ ืฉืคืจื™ืจื™, ืื™ื” ื’ื‘ืจื™ืืœ, ืขื“ืŸ ื—ืจืžื•ื ื™
ื›ืœื™ ื”ืงืฉื”: ื ื•ืจ ื‘ืจ ื’ื•ืจืŸ
ื ืื™ ื•ื—ืžืช ื—ืœื™ืœื™ื: ืžืื™ืจื” ืกื’ืœ

ื”ืคืงื” ืžื•ื–ื™ืงืœื™ืช
ืขื™ื‘ื•ื“: ืžืขื™ื™ืŸ ืฆืคืจื™ืจ
ื”ืคืงื” ืžื•ื–ื™ืงืœื™ืช, ื”ืงืœื˜ื” ื•ืžื™ืงืก: ืฉืœื•ืžื™ ืžื•ืจ
ืžืืกื˜ืจ: ืจื•ื ืŸ ืจื•ื˜
ื”ื•ืงืœื˜ ื‘ืื•ืœืคืŸ ืฉืœ ืฉืœื•ืžื™ ืžื•ืจ

ื”ืคืงืช ื•ื™ื“ืื•
ืฆื™ืœื•ื ื•ืขืจื™ื›ื”: ื’ื™ื ื‘ืจื˜ื•ื‘
ืกื˜ื™ื™ืœื™ื ื’: ืฆื™ืคื•ืจื” ืืœ ืจืขื™
ืื™ืคื•ืจ ื•ืกื™ื“ื•ืจ ืฉื™ืขืจ: ื ื˜ืœื™ ื“ืฉืชื™
ืฉืžืœื•ืช: ื ื˜ืœื™ ื“ื‘ื™ืจ
ืชื›ืฉื™ื˜ื™ื: ืœื™ืจื•ืŸ ืชื›ืฉื™ื˜ื™ื ื‘ืื”ื‘ื” ืฆืจื•ืคื”

ื ื™ื”ื•ืœ ืื•ืžื ื•ืชื™ ื•ืขืจื™ื›ืช ืชื•ื›ืŸ ื‘ืขืจื•ืฅ: ื˜ืœื™ื” ื’. ืกื•ืœืืŸ
ืชื•ื“ื” ืœืžืงืืžืืช, ื‘ื™ื”ืดืก. ืœืžื•ื–ื™ืงื” ืžืŸ ื”ืžื–ืจื— ืขืœ ื”ืชืžื™ื›ื” ื‘ื”ื•ืฆืื” ืœืื•ืจ ืฉืœ ื•ื•ื™ื“ืื• ื–ื”
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ืžืขื™ื™ืŸ ืฆืคืจื™ืจ ื”ื™ื ื–ืžืจืช ื•ืžื•ื–ื™ืงืื™ืช ื”ืžื—ื‘ืจืช ื‘ื™ืŸ ืžืกื•ืจื•ืช ืžื•ื–ื™ืงืœื™ื•ืช ืžื”ื‘ืœืงืŸ ื•ื”ืžื–ืจื— ื”ืชื™ื›ื•ืŸ ืœื‘ื™ืŸ ืฉื•ืจืฉื™ื” ื”ื™ื”ื•ื“ื™ื™ื. ื‘ื™ืฆื™ืจื” ื”ืžื•ื–ื™ืงืœื™ืช ืฉืœื” ื”ื™ื ืื•ืจื’ืช ื™ื—ื“ื™ื• ืคื™ื•ื˜ื™ื ื•ืžื™ืœื™ื ืžื”ืžืงื•ืจื•ืช ืขื ืœื—ื ื™ื ืขืžืžื™ื™ื.
ื‘ืœื—ื ื™ื ื”ืžืงื•ืจื™ื™ื ืฉืœ ืžืขื™ื™ืŸ ื ื™ื›ืจืช ื”ืฉืคืขื” ื’ื“ื•ืœื” ืฉืœ ืžืกื•ืจื•ืช ืžื•ื–ื™ืงืœื™ื•ืช ืขืชื™ืงื•ืช ืžืื™ื–ื•ืจ ื”ืžื–ืจื— ื”ืชื™ื›ื•ืŸ.
ืžื™ื™ืกื“ืช ื”ื”ืจื›ื‘ ื”ื‘ืœืงื ื™ "ืื ืกืžื‘ืœ ื™ืขืจื•ืช", ื—ื‘ืจื” ื‘ื”ืจื›ื‘ ื”ื™ื•ื•ื ื™ "ื˜ื‘ืจื ื™ืงื•ืก",
ืžื™ื™ืกื“ืช "ืžืงื”ืœืช ื”ืžื›ืฉืคื•ืช ื”ื‘ืœืงื ื™ืช", ื•ืžื ื—ืช ืกื“ื ืื•ืช ืฉื™ืจื” ืžืกื•ืจืชื™ืช ื•ืกื™ื•ืจื™ื ื‘ื™ื ืœืื•ืžื™ื™ื ื‘ืจื•ื— ื”ืฉื™ืจื” ื•ื”ืžื•ื–ื™ืงื” ื”ื‘ืœืงื ื™ืช.

ื”ืžืคื’ืฉ ืขื ืžื™ืœื•ืช ื”ืคื™ื•ื˜ "ืื•ื“ื” ืœืืœ" ื‘ืฉื™ืœื•ื‘ ืขื ืฉื•ืจืฉื™ื” ื”ื™ื”ื•ื“ื™ื™ื-ื˜ื•ืจืงื™ื™ื, ื”ื•ื‘ื™ืœื• ืœื›ืชื™ื‘ืช ื”ืœื—ืŸ
ื‘ื”ืฉืจืืช ืžื•ื–ื™ืงื” ืกื•ืคื™ืช. ืœื—ืŸ ืฉื ื•ืขื“ ืœืขื•ืจืจ ื—ื•ื•ื™ื” ืืงืกื˜ื˜ื™ืช ืฉืœ ื“ื‘ืงื•ืช ื•ื—ื™ื‘ื•ืจ ืœื‘ื•ืจื ืขื•ืœื.
ื”ืขื™ื‘ื•ื“ ื”ื•ื•ืงืืœื™ ื ื›ืชื‘ ื‘ื”ืฉืจืืช ืฉื™ืจืช ื ืฉื™ื ืคื•ืœื™ืคื•ื ื™ืช ืžื”ื‘ืœืงืŸ, ื”ืžื—ื‘ืจืช ืืช ื”ืžืื–ื™ื ื™ื ืœืžื—ื•ื–ื•ืช ืงื“ื•ืžื™ื ื•ืฉื‘ื˜ื™ื™ื ื‘ื ืคืฉื.

ะšะพะผะผะตะฝั‚ะฐั€ะธะธ

ะ˜ะฝั„ะพั€ะผะฐั†ะธั ะฟะพ ะบะพะผะผะตะฝั‚ะฐั€ะธัะผ ะฒ ั€ะฐะทั€ะฐะฑะพั‚ะบะต