12 Tสษชสแดs Mแดsษชแด โป สส Mแดsษชแด Pแดสแด Isสแดแดส.
Non profit that promotes music and musicians from Israel.
traditional. original. sacred. secular.
https://12tribesmusic.org
Spotify - https://open.spotify.com/artist/1b8AO...
email: [email protected]
Supported by: ๐ป๐๐ ๐ฎ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐
๐๐๐๐๐
๐ฌ๐ ๐
๐๐
๐๐ ๐๐๐๐ - ๐๐ถ๐บ๐ฒ ๐ผ๐ณ ๐น๐ผ๐๐ฒ๐ฟ๐
Lyrics: ๐น๐๐๐๐ ๐ฏ๐๐๐ ๐ฉ๐๐ ๐บ๐๐๐, 10th century (based on song of songs poetry).
Composition: traditional Moroccan Gnawa
arrangement: ๐ณ๐๐๐ ๐ป๐๐๐๐
๐ณ๐๐๐ ๐ป๐๐๐๐ - vocals, guembri (sintir), krakebs (hand cymbals)
๐ฌ๐๐๐ ๐ฎ๐๐๐๐๐๐๐๐ - back vocals, krakebs (hand cymbals)
๐ฐ๐๐๐๐๐๐๐๐๐ ๐ฏ๐๐๐๐ - back vocals, krakebs (hand cymbals)
๐ป๐๐ ๐จ๐๐๐๐๐๐ - trumpet
๐ฃ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป -
Artistic director and content editor: ๐ป๐๐๐๐ ๐ฎ.๐จ ๐บ๐๐๐๐
Producer: ๐ต๐๐๐ ๐ฉ๐๐๐๐
music consultant: ๐จ๐๐๐ ๐ฉ๐๐๐๐
mix & sound editing: ๐จ๐๐๐ ๐ฉ๐๐๐๐๐๐๐
Camera 1: ๐บ๐๐๐ ๐ฒ๐๐๐๐
Camera 2: ๐ฐ๐
๐ ๐ช๐๐๐๐
Editing: ๐บ๐๐๐ ๐ฒ๐๐๐๐๐
Recording: ๐บ๐๐๐๐๐ ๐ฎ๐๐๐๐, ๐ถ๐๐๐ ๐๐๐๐
๐๐
Make-up: ๐ซ๐๐๐๐๐๐ ๐ฏ๐๐๐๐๐
artistic consultant: ๐น๐๐๐๐ ๐ท๐๐๐๐
๐ฏ๐๐
๐๐
Location shooting: ๐จ๐๐๐๐๐, Ein Karem, Jerusalem, ย ย /ย atalya.co.ilย ย
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ืขืช ืืืืื ืืื
ืืืืื: ืจืื ืืืื ืื-ืกืื, ืืืื ืืขืฉืืจืืช
ืืื: ืืจืืงืื ืขืืื
ืขืืืื: ืืื ืชืืจ
ืืื ืชืืจ: ืฉืืจื, ืืืืืจื, ืงืจืงืืืช
ืืื ืืจืื ืืืื: ืฉืืจืช ืจืงืข, ืงืจืงืืืช
ืขืื ืืื ืืจืื: ืฉืืจืช ืจืงืข, ืงืจืงืืืช
ืื ืืืจืื: ืืฆืืฆืจื
ื ืืืื ืืืื ืืชื ืืขืจืืืช ืชืืื: ืืืื ื. ืกืืืื
ืืคืงื: ื ืืขื ืืื
ืืืขืืฅ ืืืืืงืื: ืืืื ืืืจ
ืขืืจื ืกืืื ื: ืืืจื ืืืจืืืื
ืฆืื1: ืฉื ืืจ ืงืฆืืจ
ืฆืื2: ืขืืื ืืื
ืขืจืืืช ืืืืื: ืฉื ืืจ ืงืฆืืจ
ืืงืืื: ืฉืืืื ืืืืื, ืืืืคื ื ืืขืืื
ืืืคืืจ: ืืืืจื ืืืืื
ืืืขืืฅ ืืืื ืืชื: ืจืื ื ืคืื-ืืื
ืฆืืื ืืืืช ืดืขืชืืื - ืืืื, ืืืื ืืช, ืืืจืืืด, ืขืื ืืจื, ืืจืืฉืืื
http://www.atalya.co.il
๐๐ฎ๐น๐ฎ ๐ง๐ฎ๐บ๐ฎ๐ฟ
Born and raised in Israel to a mother who was born in Morocco and a father who was born in Brazil. Her origins in Arab and Islamic country drawn her to sing in her mother tongue.
She performs Moroccan Jewish liturgical poems as well as contemporary music in Moroccan Arabic and Ladino. she revives the culture itself, so that a new culture is born, one that is absolutely unique yet recognized around the world.
She collaborates with a variety of other Arabic musicians: Palestinian artists as well as Muslims and Moroccans in both Israel and abroad. In addition, she leads two female choirs and educates children about North African and Andalusian traditions.
ืืื ืชืืจ ืืช ืืืืจืื ืืืืื ืืจืืื ืืืจืืงื. ืืืฉืืื ืฉืื ืืชืจืืืช ืขืจืืืช ืืืืืืช ืืชืืืืช ืืจืคืจืืืืจ ืืืชื ืืืืจืช ืืืฆืข. ืืืืืงื ืืจืืงืืืช ืืืืืืช ืฉืืจืฉืืช, ืืืืืงื ืขืืจืืช ืืจืืงืืืช, ืืกืืจืืช ืืืืืงืืืืช ืฉื ืืืืื ืกืคืจื ืืืจืืงื.
๐๐ ๐ฑ๐ผ๐ฑ๐ถ๐บ - ๐๐ถ๐บ๐ฒ ๐ผ๐ณ ๐น๐ผ๐๐ฒ๐ฟ๐
A Jewish piyyut over 1000 years old, written by Rabbi Haim Ben Sahl in 10th century.
This Jewish chant can be understood as a love song for the bride, and so it does appear in the Karaite Judaism.
Many of the expressions in this chant are taken from the ๐๐ฐ๐ฏ๐จ ๐ฐ๐ง ๐ด๐ฐ๐ฏ๐จ๐ด, so the poem can also
be understood as an allegory for the love of people of Israel to God.
This chant is popular among the Jews of Morocco who perform it to express the great longings and the eternal love bond between the Holy spirit and the people of Israel.
ืขืช ืืืืื - ืคืืื ืืืืื ืฉื ืืชื ืืืื ืืขืฉืืจืืช ืขื ืจืณ ืืืื ืื ืกืื. ืื ืืืคืืขืื ืฆืืืืืื ืืืืื ืืื ืืงืกืืืืืื ืืฉืืจ ืืฉืืจืื ืฉืืฆืืืื ืืช ืืืืืืจืื ืฉื ืืืกื ืืืืื ืืื ืืจืขืื ืืืืื ืืืืกื ืื ืกืช ืืฉืจืื ืืืงืืืฉ ืืจืื ืืื. ืืคืืื ื ืืื ืืจืคืจืืืืจ ืฉื ืืืืื ืืจืืงื, ืืืืื ืชืืื ืืืื ืืืื ืื ืฉืื ืื.
๐๐ผ๐บ๐ฝ๐ผ๐๐ถ๐๐ถ๐ผ๐ป - ๐๐ฟ๐ฎ๐ฑ๐ถ๐๐ถ๐ผ๐ป๐ฎ๐น ๐๐ป๐ฎ๐๐ฎ
The composition is taken from traditional Gnawa music, the Samawi song.
Gnawa music style arrives from Morocco and West Africa and relates to Islamic religious rhythms and songs pattern.
Its well-preserved heritage combines ritual poetry with traditional music and dancing.
The music is performed at lila, communal nights of celebration dedicated to prayer and healing guided by the Gnawa maalem, or master musician, and their group of musicians and dancers. Though many of the influences that formed this music can be traced to West African kingdoms,
its traditional practice is concentrated in Morocco.
Gnawa music has spread to many other countries in Africa and Europe, such as France.
ืื ืืืื - ืืื ืกืื ืื ืืืืืงืื ืืจืืงืื, ืฉืืืืข ืืืจืืงื ืืจื ืืืืืงืืื ืืืกืืืื ืืชืืื ืืืคืจืืงื ืฉืืืจืื ืืกืืจื.
ืืื ืืชืืคืืื ืืฉืืจืช ืงืจืืื ืืืขื ื ืืืืื ืืื ืจืคืืืืืืื ืงืฆืืืื.
ืืืืจืชืืืช ืฉืืืคืืื ืืช ืืืืืืงื ืคืืืื ืืช ืืืงืกืืช ืืืืื ืืงืจืงืืืช, ืืขืื ืงืกืื ืืืืืช ืืจืื ืืืืืืช, ืืืืืจื (ืชืืฃ ืขื ืืืชืจืื ืืฉืืฉ ืืืก). ืืกืื ืื ืืืืืืงืื ืืคืืืื ื ืืืืื ืืจืืงืื, ืงืืืจืช, ืฆืืขืื ืืืช.
ืืืืื ืืฉื ืื ืขืืจื ืืื ืืืื ืืืืจื ืืืฆืื ืืืืจื ืื ืืืืืืงื ืืืืื ืืช ืืฉืืชืคืฉืื ืืจืืื ืืขืืื.
ืืืื ืืืืกืก ืขื ืฉืืจ ืืกืืจืชื ืืฉื Samawi
ะะฝัะพัะผะฐัะธั ะฟะพ ะบะพะผะผะตะฝัะฐัะธัะผ ะฒ ัะฐะทัะฐะฑะพัะบะต