Von Brom Photography

A practitioner of black & white analog film: composition, exposure, developing and printing. Preferred formats are 35mm and large format 4x5, 5x7 and 8x10.

400mm TELE Urban Landscape – Lachlans Line Bridge – Toyo Field 45A Fujinon 65mm Large Format 4x5 B+W
400mm TELE Urban Landscape – Lachlans Line Bridge – Toyo Field 45A Fujinon 65mm Large Format 4x5 B+W
Metering Highlights: Spot or Incident – Zone III or Zone VII – Gossen Profisix VS Pentax Spotmeter V
Metering Highlights: Spot or Incident – Zone III or Zone VII – Gossen Profisix VS Pentax Spotmeter V
Compressed Perspective & Lens Hoods – Large Format 4x5 Urban Landscape – Toyo Field 45A Fujinon Lens
Compressed Perspective & Lens Hoods – Large Format 4x5 Urban Landscape – Toyo Field 45A Fujinon Lens
B+W Large Format 4x5 Landscape – Thompson Street Jetty – Rittreck View – Fujinon lens – Shanghai GP3
B+W Large Format 4x5 Landscape – Thompson Street Jetty – Rittreck View – Fujinon lens – Shanghai GP3
Loading the NEW Poilot 5x7 Reel – Large Format Photography – Darkroom Film Development Analog
Loading the NEW Poilot 5x7 Reel – Large Format Photography – Darkroom Film Development Analog
Developing 5x7 Film – Poilot 2550 Tank & NEW 5x7 Reel – Large Format – Shanghai GP3 100 B+W Analog
Developing 5x7 Film – Poilot 2550 Tank & NEW 5x7 Reel – Large Format – Shanghai GP3 100 B+W Analog
Old Wood 5x7 – Fujinon W 150mm lens – Ryde Wharf Park – Shanghai GP3 100 film – Large Format Photo
Old Wood 5x7 – Fujinon W 150mm lens – Ryde Wharf Park – Shanghai GP3 100 film – Large Format Photo
Rittreck View 5x7 – Fujinon 250mm & 135mm Lens Tests – Ryde Wharf Park – Large Format Photography
Rittreck View 5x7 – Fujinon 250mm & 135mm Lens Tests – Ryde Wharf Park – Large Format Photography
Canon EOS 10 Review – 35mm SLR Analog Film Photography Camera
Canon EOS 10 Review – 35mm SLR Analog Film Photography Camera
Ultra-Wide Whole Plate – Rittreck View with 6½x8½ back, Fujinon NSW 125mm f8 – Thompson Street Jetty
Ultra-Wide Whole Plate – Rittreck View with 6½x8½ back, Fujinon NSW 125mm f8 – Thompson Street Jetty
Ultra-Wide at The Crevice – Toyo Field 45 – Fujinon NSWD 65mm f5.6 – Large Format Landscape B+W
Ultra-Wide at The Crevice – Toyo Field 45 – Fujinon NSWD 65mm f5.6 – Large Format Landscape B+W
Tilt & Swing Challenges with Large Format Telephoto Lenses – Nikkor T ED 360mm f8 – Toyo Field 45A
Tilt & Swing Challenges with Large Format Telephoto Lenses – Nikkor T ED 360mm f8 – Toyo Field 45A
ULTRA-WIDE 5x7 – Fujinon SWD 75mm f5.6 lens – Old Wood 5x7 Camera – B+W Film Large Format Landscape
ULTRA-WIDE 5x7 – Fujinon SWD 75mm f5.6 lens – Old Wood 5x7 Camera – B+W Film Large Format Landscape
ULTRA-WIDE Urban Landscape – Lachlans Line Bridge – Toyo Field 45A Fujinon 65mm Large Format 4x5 B+W
ULTRA-WIDE Urban Landscape – Lachlans Line Bridge – Toyo Field 45A Fujinon 65mm Large Format 4x5 B+W
ASPIRE Sydney Street Art – Rittreck View 5x7 with 6½x8½ back – B+W Urban Landscape Film Photography
ASPIRE Sydney Street Art – Rittreck View 5x7 with 6½x8½ back – B+W Urban Landscape Film Photography
ULTRA-WIDE with Tachihara 4x5 – B+W Landscape Large Format Photography – Fujinon NSWD 65mm f5.6 lens
ULTRA-WIDE with Tachihara 4x5 – B+W Landscape Large Format Photography – Fujinon NSWD 65mm f5.6 lens
B+W Urban Landscape Large Format – Rittreck View 4x5 – Toyo Field 8x10
B+W Urban Landscape Large Format – Rittreck View 4x5 – Toyo Field 8x10
Fujinon SF 250mm – Toyo Field 810M 8x10 Large Format – B+W Landscape Photography
Fujinon SF 250mm – Toyo Field 810M 8x10 Large Format – B+W Landscape Photography
Night Photography – Rittreck View 5x7 with 4x5 Back – Ryde Bridge – B+W Film Large Format Analog
Night Photography – Rittreck View 5x7 with 4x5 Back – Ryde Bridge – B+W Film Large Format Analog
Developing 4x5 Film with JOBO 2520 Tank & JOBO 2509N Reel – Large Format – Fomapan 100 Kodak HC-110
Developing 4x5 Film with JOBO 2520 Tank & JOBO 2509N Reel – Large Format – Fomapan 100 Kodak HC-110
Wista 45 AAO Automatic Aperture Opening – Nikkor 135mm f5.6 Copal for-WISTA Shutter Large Format 4x5
Wista 45 AAO Automatic Aperture Opening – Nikkor 135mm f5.6 Copal for-WISTA Shutter Large Format 4x5
Level Heads Large Format – Toyo Field 45A Fujinon NSWD 65mm f5.6 – Sydney Olympic Park ACCOR Stadium
Level Heads Large Format – Toyo Field 45A Fujinon NSWD 65mm f5.6 – Sydney Olympic Park ACCOR Stadium
Intrepid 4x5 MkV with 65mm, 90mm and 180mm Fujinon lenses – First Time with Grafmatic Film Holder
Intrepid 4x5 MkV with 65mm, 90mm and 180mm Fujinon lenses – First Time with Grafmatic Film Holder
Into the Setting Sun – Ultra-Wide Test – Toyo Field 45A with Fujinon NSWD 65mm f5.6
Into the Setting Sun – Ultra-Wide Test – Toyo Field 45A with Fujinon NSWD 65mm f5.6
Rollei INFRARED 4x5 Large Format Film – IR 720 Filter – Toyo Field 45A – Fujinon NSWD 65mm f5.6 lens
Rollei INFRARED 4x5 Large Format Film – IR 720 Filter – Toyo Field 45A – Fujinon NSWD 65mm f5.6 lens
65mm Ultra-Wide Toyo Field 45A Large Format 4x5 Camera – Fujinon NSWD 65mm f5.6
65mm Ultra-Wide Toyo Field 45A Large Format 4x5 Camera – Fujinon NSWD 65mm f5.6
Toyo Field 45A Large Format Camera – How to Open, Close and Setup the Camera for 4x5 Photography
Toyo Field 45A Large Format Camera – How to Open, Close and Setup the Camera for 4x5 Photography
Why Dangle? Wide Diagon vs Standard Plasmat – Fujinon 125mm Lenses – Toyo Field M810 – Shanghai GP3
Why Dangle? Wide Diagon vs Standard Plasmat – Fujinon 125mm Lenses – Toyo Field M810 – Shanghai GP3
Tessar vs Plasmat – Fujinon 150mm Lenses – Wista 45 Large Format Analog Photography – Fomapan 100
Tessar vs Plasmat – Fujinon 150mm Lenses – Wista 45 Large Format Analog Photography – Fomapan 100
Ultra-Wide 8x10 – Toyo Field 810M Large Format Analog – Nikkor SW 120mm f8 lens – Shanghai GP3 film
Ultra-Wide 8x10 – Toyo Field 810M Large Format Analog – Nikkor SW 120mm f8 lens – Shanghai GP3 film